Juneteenth 2 Infinity began on the first Juneteenth that was deemed a national holiday. Commissioned to create an immersive installation at the John Hardy store, I designed a window wrap graphic to activate the facade of the brand's Soho flagship. I had already begun to design the Juneteenth 2 Infinity T-Shirt, using a multimedia approach, featuring several elements from the tee print.
The window graphics maximized space for KHIRY Signature visual elements; polished gold as rendered in Keyshot from original Rhino models, and the KHIRY Khartoum Silhouette Monogram. This worked to emphasize the notion of a branded takeover which was a narrative win for both brands, and to introduce downtown shoppers to KHIRY's most distinctive visual signatures. The arrangement of the elements created ideal frames for displays of original sculptures and KHIRY jewelry, further demonstrating the brand's depth and range
The following year intime for the next Juneteenth Holiday, we released our first apparel offering under the KHIRY brand, an adaptation the Juneteenth 2 Infinity Graphics first previewed at the John Hardy Installation. The tees were produced with support from Ca.la.
On the first national Juneteenth we chose to focus a capsule collection on Black Union soldiers; highlighting the Black self-determination that has always been a consequential force in American history
John Hardy approached KHIRY to feature the brand in its Juneteenth communications, website, and in-store, to demonstrate the brand's commitment to championing diverse design perspectives in the luxury space.
An installation and capsule collection of tshirts, incorporating immersive graphics telling the story of Black Union soldiers' contribution to the freedoms we know today
Juneteenth 2 Infinity began on the first Juneteenth that was deemed a national holiday. Commissioned to create an immersive installation at the John Hardy store, I designed a window wrap graphic to activate the facade of the brand's Soho flagship. I had already begun to design the Juneteenth 2 Infinity T-Shirt, using a multimedia approach, featuring several elements from the tee print.
The window graphics maximized space for KHIRY Signature visual elements; polished gold as rendered in Keyshot from original Rhino models, and the KHIRY Khartoum Silhouette Monogram. This worked to emphasize the notion of a branded takeover which was a narrative win for both brands, and to introduce downtown shoppers to KHIRY's most distinctive visual signatures. The arrangement of the elements created ideal frames for displays of original sculptures and KHIRY jewelry, further demonstrating the brand's depth and range
The following year intime for the next Juneteenth Holiday, we released our first apparel offering under the KHIRY brand, an adaptation the Juneteenth 2 Infinity Graphics first previewed at the John Hardy Installation. The tees were produced with support from Ca.la.
I took a multimedia approach to the graphic development, incorporating techniques from throughout my artistic journey, including hand sketching, 3d Modeling and Rendering, and Original Typography. I combined the elements in Photoshop to form the final composition.
To produce the t-shirts I worked with Ca.La to source international production, and provided fit references, pantone colors, and specs for the graphics placement and neck tag.
I took a multimedia approach to the graphic development, incorporating techniques from throughout my artistic journey, including hand sketching, 3d Modeling and Rendering, and Original Typography. I combined the elements in Photoshop to form the final composition.
To produce the t-shirts I worked with Ca.La to source international production, and provided fit references, pantone colors, and specs for the graphics placement and neck tag.